Dysrhythmia is again for the primary time in 5 years and – shock, shock – they’re nonetheless making excellent instrumental steel.
Dysrhythmia has introduced their new report Coffin Of Conviction and is now streaming the gorgeously advanced new single “No Breath After Magnificence”. The album additionally marks 25 years of Dysrhythmia, which is ideal timing contemplating Coffin Of Conviction will likely be self-released through guitarist Kevin Hufnagel‘s personal Nightfloat Recordings. Pre-orders are available here on Bandcamp.
“Coffin of Conviction is Dysrhythmia‘s ninth studio album and marks their twenty fifth anniversary as a band,” stated Dysrhythmia of the one and album. “Although the instrumental trio’s status for energetic, dense maze-like compositions are on full show right here, new tracks like ‘No Breath After Magnificence’ and ‘Gentle from the Zenith’ showcase the band’s deepening curiosity in area, subtly, and an environment of melancholia.
“Listeners might discover some stunning new textures for the band through the usage of guitar synth on choose tracks. Moreover, the preliminary musical seeds for lots of the album’s tracks started with guitarist Kevin Hufnagel composing drum concepts first to then write his guitar elements to. Subsequent drummer Jeff Eber would interpret and finesse these elements whereas bassist (and generally 2nd guitarist) Colin Marston would compose his elements atop that. This was a brand new writing method that proved inspirational to the band.
“Dysrhythmia honors its DIY roots with Coffin of Conviction. The album will likely be self-released through guitarist Kevin Hufnagel‘s personal Nightfloat Recordings imprint. Recording, mixing and mastering was carried out fully in-house by the band’s personal Colin Marston at his Menegroth: The Thousand Caves studio in Queens, NY.
“An LP launch is deliberate for Fall 2024 by means of Brooklyn-based ‘grind in opposition’ label Nerve Altar. The haunting and surrealist work of Latvian-born visible artist Viktor Timofeev graces the album’s structure. Thus, enhancing the album’s aesthetic and additional luring the listener into the labyrinthian world of the band’s auditory structure.”
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