Jonny Warren shares insights into the creation of Countless:
“Whereas exploring concepts for the album, we knew we needed richer harmonies and extra synth presence, so a number of concepts began on keyboard first. The title observe began with a piano model the place I explored the preliminary chords and melodies. I then created bass, synth, and programmed drum components primarily based on the piano development. The half that is now within the pre-chorus and bridge was really the intro at first, however we determined to cut up the unique construction to create a extra “grand” feeling general.
“In comparison with the primary album, there was much more digital backwards and forwards between Berg and I as we had much more layers to work with. We might typically get up to new contributions that every of us made to a tune after which chat all through our overlapping waking hours on methods to enhance it. Moreover, I performed bass in C-standard this time to match Berg’s guitars, the place beforehand I used to be in E-standard. I believe this gave among the riffs an even bigger affect in comparison with final time.
“Lastly, we owe a number of due to Simón at Empty Corridor Studio for creating cohesiveness with the combination and bringing our imaginative and prescient to life with the general ambiance.”
